Many fans of the Six Million Dollar Man and Bionic Woman, who were around when the show first aired on UK screens will be familiar with the relationship between Look-In and the Bionic shows.
Launched in 1971, to be a junior TV Times (A listing magazine for the ITV network, similar to the US TV Guide but only covering one channel - BBC had their own magazine the Radio Times) for kids to find out when their favourite shows were on, Filled with interviews and pin-ups with TV, sports and pop stars of the day the magazine also had crosswords, competitions and best of all comic strips of shows currently on TV anything from home-grown shows such as Benny Hill, Black Beauty On The Buses, Bless This House, Count Duckula, and Robin of Sherwood. For fans of US shows, in a time before repeats, video tape, let alone DVD, fans were blessed with strips for many of the big American shows as well, Knight Rider, A-Team, Airwolf, Magnum PI, Mork & Mindy, Battlestar Galactica, Charlie’s Angels and of course the Bionic series.
The magazine was edited by Alan Fennell, an editor and writer who had previous written for Gerry Anderson’s TV series Fireball XL5, Stingray and Thunderbirds. Alan was writer and editor on the Gerry Anderson TV Century 21 comic (it later changed to just TV21 after 155 issues) which features comics strips from the various worlds of Gerry Anderson in the mid to late 1960’s. Angus Peter Allan (often known as Alan Angus) worked with Alan Fennell as writer and magazine editor on TV21 and moved across to look-In as well. Angus was responsible for the majority of all the comic strips featured in Look-In, producing a huge body of work for the magazine over it’s run. Look-In ran a total of 3 Bionic comics strips over the years: The Six Million Dollar Man - 23 stories from June 1975 to March 1979, written by Angus Allan and art by Martin Asbury. The Bionic Woman - 19 stories from August 1976 to May 1979, written by Angus Allan with art by John M Burns and John Bolton. Bionic Action - 3 stories May to November 1979, written by Angus Allan with Art by Ron Tiner. Bionic Actions was a B&W strip featuring both Steve Austin and Jaime Sommers and replaced the colour strips.
The art & artists The artwork for Look-In was all done old school and well before the days of digital. Most of the art was done A2 size, approx 54cm X 42cm and the speech bubbles added on top. One of the big things fans talk about from Look-In are the painted covers. Between 1973 and 1981 the covers were all painted, painted by Italian born Arnaldo Putzu. Rank Films started using Italian artists for their movie posters, initially in Italy, but in the late 10950’s the artists moved across to work from Britain. Arnaldo worked on posters including ones for the Carry On series and Hammer films. His Look-In covers are genuinely works of art, produced on a weekly basis and with great likeness to the people and shows he was drawing.
John Bolton started his career drawing for Look-In, House of Hammer and Warrior in the UK, before moving on to work for Marvel comics in the early 1980’s. One of his early jobs was illustrating X-Men’s Chris Claremont’s graphic novel Marada. John worked again with Chris on the X-Men title X-Men Classics. John has also worked for DC and Dark Horse comics over the years.
Ron Tiner's first regularly published work was for the DC Thompson publication The Hotspur from 1976 to 1980 and the IPC publication Battle Action. He went on to become a prolific illustrator of sequential narrative artwork (or graphic storytelling) for comics and magazines for children and adults, throughout the 1970s, 1980s and 1990s. John also received commissions for book illustrations, increasing in number during the decline of the British comic industry. These included contrasting styles of work for Usborne's abridged illustrated versions of The Tales of Robin Hood and Dr Jeckyll And Mr Hyde (both 1995).